This summer I started a new course--The Cabinet of Curiosities: Part 1 Caskets with Tricia Nguyen. I have long been fascinated by the 17th Century Stumpwork, especially as I have a project of my own that I want to use the techniques for (more on this later when the "idea" is coming together!). With the help of a Legacy Scholarship awarded by the EGA and my ever-encouraging husband, I am excited that I get to take this course!
In addition to the historic knowledge I am gaining from it, there is also a series of mini-projects that I will be working through to learn the techniques. The first of these "mini-projects" is the Pinkeep. The materials for this project are 1750 Montrose linen canvas (approx.
24 count) and Soie Paris thread (3 strands). The stitching is done all
in tent stitch.
I am using all the same materials, dimensions, and instructions as the project instructions require. The only difference is that I have used different colors (though still from the 17th Century Color Palette) and my own design. I based my design for my Pinkeep off of a photo of lily-of-the-valley at my old house. I had taken a ton of photos of my lily-of-the-valley patch there a few years back when I was prepping for my RSN Silk Shading module. Someday maybe I will be able to exhibit all my lily-of-the-valley's together!
I am using all the same materials, dimensions, and instructions as the project instructions require. The only difference is that I have used different colors (though still from the 17th Century Color Palette) and my own design. I based my design for my Pinkeep off of a photo of lily-of-the-valley at my old house. I had taken a ton of photos of my lily-of-the-valley patch there a few years back when I was prepping for my RSN Silk Shading module. Someday maybe I will be able to exhibit all my lily-of-the-valley's together!
This is the first time I have worked with Soie Paris.
It has been an interesting challenge, especially with using the 3
strands. I have been stranding them the same way as I did with my RSN
canvaswork to try to keep it nice and flat. The silk is soooooo
slippery though! I'm slowly getting the tension more even and smoother
and it's great to work with a new thread. I love the shine of the silk
and the vibrant colors and I think once it "clicks" with my fingers I
will be a huge fan of the silk threads.
I thought I would try tramming the stem to make it more raised. I am happy with the results (mostly) until the stem turns to the horizontal. I stitched it bottom to top and maybe should have stitched it top to bottom. Regardless, I'm fairly certain the top portion of the stem will be coming out. No project is truly a project until something has been ripped out of it I suppose!
Love the au ver a soie silks ! The shop in Paris is regular stop off point ! Used them in my canvas, black work and silk shading
ReplyDeleteHave a look at the silk mill ( again lovely French silks )
ReplyDeleteBeautiful! I love the shading you get with the silk
ReplyDelete